Director Josephine Decker's Debut Feature and The New Yorker's 10 Best Movies of 2014
BUTTER ON THE LATCH
Josephine Decker’s dark, mysterious and sensual debut is set at a Balkan folk song camp in the woods of Mendocino, where a young woman, Sarah, reunites with her old friend, Isolde, and pursues a romance with a new camper, Steph.
“the kind of feature debut the film industry simply doesn’t support, but would do well to encourage: a visually poetic, virtually free-form groove in which emotion, rather than narrative, guides viewers through a young woman’s visit to a Balkan folk music camp”
Peter Debruge – Variety
“I was putty in Decker’s hands…”
Mark Lukenbill – Hammer to Nail
“Elegant and elliptical, Josephine Decker’s psychodrama is a blurring of the line between waking and dream states.”
Michael Nordine – The Village Voice
“an utter exhilaration of cinematic imagination, a pure high of invention”
Richard Brody – The New Yorker
“a sexy, wild romp you have to see to believe”
Eric Kohn – Indiewire
“Butter on the Latch thrives on its casually true snapshots of confusion and connection.”
Nicolas Rapold – The New York Times
“a fascinating and truly original work of art”
Christopher Bourne – TwitchFilm
THE NEW YORKER - #9 Best Films of 2014
TINY MIX TAPES - #9 Top 30 Films of 2014
INDIEWIRE - 2014 Critics Poll - Best First Feature